'Les Miz,' 'Argo' win big at Golden Globes, but Jodie Foster is talk of show

The epic musical “Les Miserables” dominated the 70th annual Golden Globe Awards on Sunday night with three trophies, including one for best musical or comedy. But the evening belonged to Ben Affleck.

Affleck’s political thriller “Argo,” about a CIA plot to rescue Americans trapped in Iran in 1979-80, won for best dramatic film and director for Affleck. It was a bit of vindication, perhaps, for the filmmaker, who was surprisingly absent last week when the Academy of Motion Picture Arts and Sciences announced its Oscar nominations for director.

Since the Oscar snub Thursday, Affleck has not only won a Golden Globe but he also received a Critics’ Choice Movie Award for directing as well.

PHOTOS: Golden Globes 2013 red carpet

“Les Miz” was the most honored film of the ceremony held at the Beverly Hilton Hotel’s International Ballroom and telecast live on NBC. Besides best musical or comedy, it won lead actor for Hugh Jackman, who admitted in his acceptance speech that at one point he almost quit the project after a grueling rehearsal. And Anne Hathaway sang her way to a supporting actress win as the tragic Fantine.

With her pixie haircut and tasteful white gown, Hathaway was reminiscent of a young Audrey Hepburn.

“Thank you for this lovely blunt object,” Hathaway told the Hollywood Foreign Press Assn. “I’ll forever use it as a weapon against self-doubt.”

PHOTOS: Nominees & winners | Red carpet | Best & Worst

The wins for “Les Miz” and “Argo” as well as the two Golden Globes for “Django Unchained” help give those films momentum leading to the Oscars on Feb. 24. But those honors do little to bring clarity to a topsy-turvy awards season that has seen plenty of outstanding movies to choose from — but few clear-cut front-runners.

For example, Steven Spielberg’s “Lincoln” went into the evening with seven Golden Globes nominations — more than any other film. Former President Bill Clinton even appeared to a standing ovation and thunderous applause to introduce the clip for the historical epic. But instead of “Lincoln” by a landslide, the film about the 16th president’s struggle to end the Civil War and slavery won only one honor: lead actor in a drama for Daniel Day-Lewis.

One of the most stunning moments came courtesy Jodie Foster, who took to the stage to give a ... retirement speech? A coming-out speech? It was hard to tell. She was receiving the Cecil B. DeMille Award for lifetime achievement when she ramped up to confess that she was … single. And while she seemed to take pains to sidestep addressing her sexual orientation she did thank her ex-partner and co-parent of her two boys, Cydney Bernard.

PHOTOS: Golden Globes 2013 red carpet

Her speech was also a rant in favor of privacy that brought many people to its feet. Foster noted that she has lived virtually her entire life in the public eye yet wanted to keep some things private. “I have given everything up there from the time I was 3 years old,” she said. “That is reality enough.” Even backstage, talking face-to-face with the media, she was cryptic about what, exactly, she was trying to say with her speech. (Memo to Foster: Nothing will destroy an attempt at privacy like telling the world you want to keep your life private.)

In other film awards, Jessica Chastain won lead actress in a drama for her role as a CIA operative who helps track down Osama bin Laden in “Zero Dark Thirty.” Jennifer Lawrence won lead actress in a comedy or musical for “Silver Linings Playbook” for her performance as a widow in the quirky romantic comedy. “I beat Meryl!” Lawrence joked as she accepted the trophy. (Meryl Streep was nominated in the same category, for “Hope Springs.”) Among Lawrence’s thank-yous: “Thank you, Harvey Weinstein, for killing whoever you had to kill to get me up here.”

Christoph Waltz won for supporting actor for playing a bounty hunter in Quentin Tarantino’s “Django Unchained.” The maverick filmmaker was a surprise screenplay winner for the controversial spaghetti Western set during the slavery era, beating out such favorites as the writers of “Zero Dark Thirty,” “Lincoln,” “Argo,” and “Silver Linings Playbook.”

PHOTOS: Highlights from the show

“Wow, I wasn’t expecting this,” said an effusive Tarantino. “I'm happy to be surprised.”

Austria’s “Amour” won foreign language film, and “Brave” won for animated film. Mychael Danna won for writing the score for Ang Lee’s “Life of Pi.” Original song went to pop singer Adele and Paul Epworth for “Skyfall,” the title tune for the latest James Bond installment.

On the TV side, the Golden Globes honored Showtime’s “Homeland” and HBO’s “Game Change” and "Girls" with multiple trophies.

Golden Globes 2013: List | Red Carpet | Winners | Ballot | Show moments | Quote

“Homeland,” the political thriller that counts President Obama as one of its biggest fans, won its second consecutive award for drama series. Claire Danes won her second-in-a-row Globe for lead dramatic actress in the series. Her co-star Damian Lewis took lead actor.

“Game Change,” the drama about then-Gov. Sarah Palin’s run for the vice presidency in 2008, also performed well. It snapped up three awards: miniseries or TV movie, supporting actor for Ed Harris, and lead actress for Julianne Moore for her uncanny channeling of Palin.

“Girls” won best comedy series while its young star and creator, Lena Dunham, won for lead actress. Don Cheadle won lead actor in a comedy series for Showtime’s “House of Lies.” Kevin Costner won lead actor in a miniseries or TV movie for History Channel’s “Hatfields & McCoys.” Maggie Smith won for supporting actress in a TV series, miniseries or movie for playing the acerbic dowager in PBS' “Downton Abbey.”

After a controversial three-year stint as host, Ricky Gervais turned over the emcee duties to Globe nominees Amy Poehler (“Parks & Recreation”) and Tina Fey (“30 Rock”). The pair were only slightly less irreverent, skewering Hollywood by poking fun of pill-popping Hollywood and “rat-faced” TV types and joking about the controversy surrounding Kathryn Bigelow's “Zero Dark Thirty.”

Cracked Poehler: “When it comes to torture, I trust the woman who spent three years married to James Cameron.”

ALSO:

PHOTOS: Moments from the show

VOTE: Play-at-home Globes ballot

PHOTOS: Red carpet fashion at the Golden Globes

susan.king@latimes.com and rene.lynch@latimes.com

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A Google-a-Day Puzzle for Jan. 14

Our good friends at Google run a daily puzzle challenge and asked us to help get them out to the geeky masses. Each day’s puzzle will task your googling skills a little more, leading you to Google mastery. Each morning at 12:01 a.m. Eastern time you’ll see a new puzzle posted here.

SPOILER WARNING:
We leave the comments on so people can work together to find the answer. As such, if you want to figure it out all by yourself, DON’T READ THE COMMENTS!

Also, with the knowledge that because others may publish their answers before you do, if you want to be able to search for information without accidentally seeing the answer somewhere, you can use the Google-a-Day site’s search tool, which will automatically filter out published answers, to give you a spoiler-free experience.

And now, without further ado, we give you…

TODAY’S PUZZLE:

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Ken is a husband and father from the San Francisco Bay Area, where he works as a civil engineer. He also wrote the NYT bestselling book "Geek Dad: Awesomely Geeky Projects for Dads and Kids to Share."

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French actor Depardieu sides with Putin, criticizes opposition

MOSCOW (Reuters) – French actor Gerard Depardieu, recently awarded Russian citizenship by President Vladimir Putin, has praised the former KGB spy and said his political opponents offer no real alternative.

Depardieu, who has been accused in France of abandoning his homeland to avoid a proposed 75 percent tax for millionaires, told the state-run Rossiya-24 television that Putin personified Russia’s complex and fascinating national character.

“I like this man very much, he is a very powerful political activist. He has political wisdom,” the 63-year-old star of “Cyrano de Bergerac” and “Green Card” said in comments aired late on Sunday, according to the channel’s Russian translation.

The translation was dubbed over the original French, which Rossiya-24 said would not immediately be made available.

Depardieu, who is also due in court to answer charges of crashing his scooter in Paris with more than three times the legal alcohol limit in his blood, said Putin had admitted to liking his “hooligan essence” when the two met in the Russian resort of Sochi last week.

Putin’s opponents accuse him of cracking down on dissent since his return to the presidency for a six-year third term last May. The European Union and the United States have also expressed concern that Moscow is rolling back democratic freedoms.

“The Russian opposition has no program, nothing. There are very smart people there, like (former world chess champion Garry) Kasparov, but what works well for chess is completely unsuited to politics,” Depardieu said.

Opposition activists were quick to react. Violetta Volkova, defense lawyer for several opposition members facing charges over anti-Putin protests, wrote sarcastically on Twitter: “Prominent political analyst Depardieu…”

Putin’s critics have failed to make inroads into his grip on power in over a year of protests sparked by accusations of widespread fraud in parliamentary elections in December 2011, and the presidential vote last March.

The protest movement has gradually lost steam, though tens of thousands of people marched through Moscow on Sunday to protest against a Kremlin-backed law that bans Americans from adopting Russian children.

After the protest, leftist opposition leader Sergei Udaltsov was quoted as inviting Depardieu to take part in the next anti-Putin rallies, given his interest in Russian politics.

Putin says he has developed a friendly personal relationship with Depardieu, a popular figure in Russia, where he has appeared in many advertising campaigns, including for ketchup.

(Reporting by Gabriela Baczynska; Editing by Kevin Liffey)

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Susan Nolen-Hoeksema, Psychologist Who Studied Depression in Women, Dies at 53

Susan Nolen-Hoeksema, a psychologist and writer whose work helped explain why women are twice as prone to depression as men and why such low moods can be so hard to shake, died on Jan. 2 in New Haven. She was 53.

Andrew Sacks

Susan Nolen-Hoeksema at the University of Michigan in 2003. Dr. Nolen-Hoeksema's research showed that women were more prone to ruminate, or dwell on the sources of problems rather than solutions, more than men.

Her death followed heart surgery to correct a congenitally weak valve, said her husband, Richard Nolen-Hoeksema.

Dr. Nolen-Hoeksema, a professor at Yale University, began studying depression in the 1980s, a time of great excitement in psychiatry and psychology. New drugs like Prozac were entering the market; novel talking therapies were proving effective, too, particularly cognitive behavior therapy, in which people learn to defuse upsetting thoughts by questioning their basis.

Her studies, first in children and later in adults, exposed one of the most deceptively upsetting of these patterns: rumination, the natural instinct to dwell on the sources of problems rather than their possible solutions. Women were more prone to ruminate than men, the studies found, and in a landmark 1987 paper she argued that this difference accounted for the two-to-one ratio of depressed women to depressed men.

She later linked rumination to a variety of mood and behavior problems, including anxiety, eating disorders and substance abuse.

“The way I think she’d put it is that, when bad things happen, women brood — they’re cerebral, which can feed into the depression,” said Martin Seligman, a professor of psychology at the University of Pennsylvania, who oversaw her doctoral work. “Men are more inclined to act, to do something, plan, beat someone up, play basketball.”

Dr. Seligman added, “She was the leading figure in sex differences in depression of her generation.”

Dr. Nolen-Hoeksema wrote several books about her research for general readers, including “Women Who Think Too Much: How to Break Free of Overthinking and Reclaim Your Life.” These books described why rumination could be so corrosive — it is deeply distracting; it tends to highlight negative memories — and how such thoughts could be alleviated.

Susan Kay Nolen was born on May 22, 1959, in Springfield, Ill., to John and Catherine Nolen. Her father ran a construction business, where her mother was the office manager; Susan was the eldest of three children.

She entered Illinois State University before transferring to Yale. She graduated summa cum laude in 1982 with a degree in psychology.

After earning a Ph.D. in psychology at the University of Pennsylvania, she joined the faculty at Stanford. She later moved to the University of Michigan, before returning to Yale in 2004.

Along the way she published scores of studies and a popular textbook. In 2003 she became the editor of the Annual Review of Clinical Psychology, an influential journal.

Dr. Nolen-Hoeksema moved smoothly between academic work and articles and books for the general reader.

“I think part of what allowed her to move so easily between those two worlds was that she was an extremely clear thinker, and an extremely clear writer,” said Marcia K. Johnson, a psychology professor and colleague at Yale.

Dr. Nolen-Hoeksema lived in Bethany, Conn. In addition to her husband, a science writer, she is survived by a son, Michael; her brothers, Jeff and Steve; and her father, John.

“Over the past four decades women have experienced unprecedented growth in independence and opportunities,” Dr. Nolen-Hoeksema wrote in 2003, adding, “We have many reasons to be happy and confident.”

“Yet when there is any pause in our daily activities,” she continued, “many of us are flooded with worries, thoughts and emotions that swirl out of control, sucking our emotions and energy down, down, down. We are suffering from an epidemic of overthinking.”

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Wheels Blog: The Seventh-Generation Corvette Is Unveiled in Detroit

DETROIT — The Stingray is back, in name and in spirit.

At an invitation-only gathering hours before the North American International Auto Show was scheduled to open for press previews, General Motors introduced the 2014 Corvette, the seventh generation of Chevrolet’s hallmark sports car.

Underscoring the importance of this vehicle was Chevrolet’s revival of the long-dormant Stingray badge, a name it first used on a 1959 racecar built by G.M.’s design chief, Bill Mitchell. The hope for that original Stingray racecar was to beat Europe’s best, and G.M. still seems to be thinking along those lines.

According to G.M.’s president for North America, Mark Reuss, the latest Stingray is a potential worldbeater.

“Like the ’63 Sting Ray, the best Corvettes embodied performance leadership, delivering cutting-edge technologies, breathtaking design and awe-inspiring driving experiences,” Mr. Reuss said. “The all-new Corvette goes farther than ever, thanks to today’s advancements in design technology and engineering.”

The release of a new Corvette is always highly anticipated by auto enthusiasts; speculation about “C7″ — shorthand for the seventh generation — has run high. Would it get a twin-cam turbocharged powertrain? Would Chevy switch to an exotic midengine chassis?

In actuality, the 2014 model will again have a pushrod V-8 engine in its nose, driving the rear wheels. That conservative approach might be seen as a timid compromise from a company that has just begun to get back on solid financial footing. But the front-engine, rear-drive layout has long defined the Corvette, and this car, like its C6 predecessor, may well show its taillights to cars with specs that more closely conform to what is considered state of the art.

While automakers are quick to toss around the words “all new” to describe their latest offerings, however warmed over they might be, in this case the term is justified — the 2014 Corvette shares only two parts with its predecessor.

The C7 Corvette’s styling is in keeping with the brand’s persona, yet it projects a more aggressive image than previous generations. The clean front fascia is devoid of parking lights, and is energized by a sharp edge where it meets the hood, which is itself defined by a prominent bulge and more hard edges. The curve of the front fenders peaks at yet another edge that blends seamlessly into the body side at the A-pillar. The body’s flanks are defined by character lines that race back from vents behind the front wheel, not unlike those of previous Corvettes, but here those lines are more sharply drawn, with the upper line sweeping up and back to define the shape of the rear quarter panel. The lower character line projects from the body, forming a wing of sorts that flows out of the front fender and terminates at the rear of the door. The coupe’s roofline arcs smoothly to meet the rear spoiler, rather than terminating at the rear window, as in the C6. The individual rear taillights that have long been a part of Corvette design are now paired in a deep recess on each side. Four large exhaust pipes exit center-stage, rear.

The sheet-molded fiberglass body, with carbon-fiber hood and roof panels and carbon-nano composite underbody panels, is 37 pounds lighter than the C6’s body. It rides on a new aluminum frame that is 57 percent stiffer and 99 pounds lighter than the current model’s. The wheelbase is about one inch longer than that of the C6, and the track is almost an inch wider — changes said to provide a more stable feel at high speed.

Inside the cockpit, considerable effort was lavished on upgrading what has generally been considered a blighted zone. Optional carbon fiber trim and real aluminum combine with plastic in a wraparound configuration. The steering wheel, with a 14.1 inch diameter, is smaller than that of the previous model, and two seat choices are offered, with the competition sport version providing more side bolstering to hold occupants in place in spirited maneuvers. Indicative of the car’s purpose is the inclusion of a console-mounted steel grab bar for the passenger.

Under the hood, Chevrolet’s 6.2-liter small block V-8 — now in its fifth-generation design — produces an estimated 450 horsepower and 450 pound-feet of torque. At low speed, torque output exceeds that of the previous 6.2-liter engine by 50 pound-feet. The engine shares few parts with prior Corvette V-8s and is fitted with direct fuel injection that, in combination with other refinements, enables a high compression ratio of 11.5:1. Active Fuel Management, G.M.’s system for deactivating cylinders when they are not needed, lets the car cruise on four cylinders in some driving modes. Final fuel-economy numbers are not yet available.

Two transaxles will be offered: a 6-speed automatic with paddle-shift mode or a 7-speed manual with rev-matching capability — an electronic version of the heel-and-toe shifting techniques that competition drivers employ to enable smooth gear changes when negotiating twisty bits.

The Corvette driver will be able to select from among five driving modes: weather, Eco, Tour, Sport and Track; the default setting will be Tour. Changing modes alters 12 vehicle attributes, including throttle response, shift points, engagement of the limited-slip differential engagement, shock damping and more. Four-piston Brembo brakes provide stopping power, and electric power steering sets the course.

An optional Z51 performance package adds an electronic limited-slip differential that can continuously vary torque split between the rear wheels, dry-sump oiling, upgraded shock absorbers, a revised version of the automaker’s Magnetic Ride Control suspension-regulating system, close-ratio gears for the manual transmission, larger brake rotors and aerodynamic refinements that incorporate air-flow management for cooling of heat-stressed components.

Like its predecessor, the 2014 Corvette Stingray will be built at a G.M. plant in Bowling Green, Ky. The car is expected to arrive at dealerships in the third quarter of this year.

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Henry's Tacos stands down

Janis Hood got her start at Henry's Tacos when she was 10.

Her mother allowed her to fasten caps on the hot sauce and serve RC Cola to customers.

Through 51 years, the family business served ground beef tacos and burritos to customers. But on Saturday, the Studio City neighborhood treasure — a favorite of actor Elijah Wood and comedian George Lopez — closed its doors.

The shutting of Henry's Tacos, named for Hood's grandfather, Henry Comstock, came after a yearlong saga with the landlord that Hood said began when she applied for a historic designation. She said the application sparked conflict, and the landlord refused to renew her lease.

"It's a very emotional day for me," Hood said Saturday.

In recent weeks, news of the closure prompted thousands of fans to sign an online petition to save the restaurant and inspired a Twitter hashtag (#SaveHenrysTacos).

At one point, a financial consultant and a TV writer were in talks to purchase the restaurant to keep it open. "It all just took us back to our childhood," said Matt Pyken, a Studio City TV writer who grew up eating at the stand, explaining why he sought to buy it with his former middle-school buddy. "We wanted it to be the same place."

But in the end, Hood decided to work with longtime employee Omar Vega, who wants to relocate the shop but keep the name. Hood said she plans to eventually sell the business to Vega. A preservation group has offered to store the stand's signage, she said.

On Saturday, customers formed a line down the sidewalk for a last meal, and Hood said the stand would keep serving them until the food ran out. Cathy McCroskey, a longtime customer, posed for a picture in front of the stand and pantomimed wiping away a tear. "This is a neighborhood icon," she said.

McCroskey and her husband, Steve, both 55, have lived in the Tujunga Village area since the late 1980s and came to pay one last visit to the stand they'd enjoyed for years. They took photos and, of course, ordered a bean and cheese burrito. They said the stand's Googie-style architectural design and history made it a neighborhood gem.

Near them, a large sheet of paper had been taped to a wall of the stand for people to jot their goodbyes.

"Sacred ground. We have been coming for four generations. It was the first food I ate and my kids ate. It saved my sister ... it was all she would eat when she was sick. Please prevail," wrote Kathryn Vanderveen.

"Henry, please keep the sign and stay in Studio City, we love you," another message said.

Vega, a 21-year veteran of the stand, said he hopes to do just that. He would like to retain the old location's ambience by using the old sign and menu and even hopes to replicate the colorful lettering on the stand's outside wall that spells "Henry's Tacos."

"I hope everything goes well," Vega said.

For Hood, the closure is the end of an era. She said the restaurant is where she grew up and recalled going to elementary school blocks away. After school, she'd walk to the stand to see her mother and linger there.

"A lot of the customers took me under their wing and were helpful to me," she said.

After Hood's mother, LeVonne Eloff, died in 2009 at 82, longtime customers shared stories with Hood, some of which she said she had never known. They told her, for example, that her mother and stepfather had sometimes used the honor system with customers.

Now, Hood said she's acting in the same vein, "paying it forward" by helping Vega get his start running the business, a move she sees as continuing her family's legacy.

nicole.santacruz@latimes.com

ruben.vives@latimes.com

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A Google-a-Day Puzzle for Jan. 13

Our good friends at Google run a daily puzzle challenge and asked us to help get them out to the geeky masses. Each day’s puzzle will task your googling skills a little more, leading you to Google mastery. Each morning at 12:01 a.m. Eastern time you’ll see a new puzzle posted here.

SPOILER WARNING:
We leave the comments on so people can work together to find the answer. As such, if you want to figure it out all by yourself, DON’T READ THE COMMENTS!

Also, with the knowledge that because others may publish their answers before you do, if you want to be able to search for information without accidentally seeing the answer somewhere, you can use the Google-a-Day site’s search tool, which will automatically filter out published answers, to give you a spoiler-free experience.

And now, without further ado, we give you…

TODAY’S PUZZLE:

Note: Ad-blocking software may prevent display of the puzzle widget.

Ken is a husband and father from the San Francisco Bay Area, where he works as a civil engineer. He also wrote the NYT bestselling book "Geek Dad: Awesomely Geeky Projects for Dads and Kids to Share."

Read more by Ken Denmead

Follow @fitzwillie and @wiredgeekdad on Twitter.

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“Jurassic Park 4″ to arrive June 2014, Steven Spielberg to produce

LOS ANGELES (TheWrap.com) – “Jurassic Park 4″ will arrive in theaters June 13, 2014, Universal announced on Friday. Steven Spielberg won’t be directing this time around, but he is going to produce the project with Frank Marshall.

Universal has yet to pick a director for the fourth installment of the dinosaur film franchise, which it plans to shoot and release in 3D. The studio and Spielberg have converted the original film to 3D and it will be a re-released in theaters on April 5. Spielberg was very involved in the conversion according to executives at the studio, trying to ensure it merited a theatrical re-release.

The three movies have grossed close to $ 2 billion worldwide to-date with the original film alone making $ 914 million. Based on Michael Crichton’s novel and characters, the film has also spawned an amusement park ride at Universal Studios Hollywood.

Spielberg, who this week postponed his next directing job in “Robopocalypse,” directed the first two films before handing off the third to Joe Johnston. He confirmed at Comic-Con in 2011 that a writer was working on a new version, divulging little more. Giving the film a release date firms up the time table as Rick Jaffa and Amanda Silver work on the script.

“Jurassic Park 4″ will open in a summer already teeming with sequels. Universal has scheduled it one week before the next “How to Train Your Dragon” and two weeks before the next “Transformers.” Both the final “Hobbit” movie and the next “X-Men” movie are set to open in July while the next “Spider-Man” and “Planet of the Apes” films will debut in May.

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City Room: Cuomo Declares Public Health Emergency Over Flu Outbreak

With the nation in the grip of a severe influenza outbreak that has seen deaths reach epidemic levels, New York State declared a public health emergency on Saturday, making access to vaccines more easily available.

There have been nearly 20,000 cases of flu reported across the state so far this season, officials said. Last season, 4,400 positive laboratory tests were reported.

“We are experiencing the worst flu season since at least 2009, and influenza activity in New York State is widespread, with cases reported in all 57 counties and all five boroughs of New York City,” Gov. Andrew M. Cuomo said in a statement.

Under the order, pharmacists will be allowed to administer flu vaccinations to patients between 6 months and 18 years old, temporarily suspending a state law that prohibits pharmacists from administering immunizations to children.

While children and older people tend to be the most likely to become seriously ill from the flu, Mr. Cuomo urged all New Yorkers to get vaccinated.

On Friday, the Centers for Disease Control and Prevention in Atlanta said that deaths from the flu had reached epidemic levels, with at least 20 children having died nationwide. Officials cautioned that deaths from pneumonia and the flu typically reach epidemic levels for a week or two every year. The severity of the outbreak will be determined by how long the death toll remains high or if it climbs higher.

There was some evidence that caseloads may be peaking, federal officials said on Friday.

In New York City, public health officials announced on Thursday that flu-related illnesses had reached epidemic levels, and they joined the chorus of authorities urging people to get vaccinated.

“It’s a bad year,” the city’s health commissioner, Dr. Thomas A. Farley, told reporters on Thursday. “We’ve got lots of flu, it’s mainly type AH3N2, which tends to be a little more severe. So we’re seeing plenty of cases of flu and plenty of people sick with flu. Our message for any people who are listening to this is it’s still not too late to get your flu shot.”

There has been a spike in the number of people going to emergency rooms over the past two weeks with flulike symptoms – including fever, fatigue and coughing – Dr. Farley said.

Mayor Michael R. Bloomberg and Mr. Cuomo made a public display of getting shots this past week.

In a briefing with reporters on Friday, officials from the C.D.C. said that this year’s vaccine was effective in 62 percent of cases.

As officials have stepped up their efforts encouraging vaccinations, there have been scattered reports of shortages. But officials said plenty of the vaccine was available.

According to the C.D.C., makers of the flu vaccine produced about 135 million doses for this year. As of early this month, 128 million doses had been distributed. While that would not be enough for every American, only 37 percent of the population get a flu shot each year.

Federal health officials said they would be happy if that number rose to 50 percent, which would mean that there would be more than enough vaccine for anyone who wanted to be immunized.

Two other diseases – norovirus and whooping cough – are also widespread this winter and are contributing to the number of people getting sick.

The flu can resemble a cold, though the symptoms come on more rapidly and are more severe.

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S.F. mourns a twin with a passion for fashion

SAN FRANCISCO — They were known simply as the San Francisco Twins.

At 5-foot-1 and about 100 pounds apiece, the fashion enthusiasts were an integral part of the city fabric for four decades. With matching furs, hats and high-end purses, they completed each other's sentences, posed for countless tourist snapshots and modeled for the likes of Reebok, Joe Boxer and IBM.

Now one is gone.

Vivian Brown, 85, who had Alzheimer's, died in her sleep Wednesday, leaving behind Marian, who was eight minutes younger. The illness, and news of the twins' financial distress, brought an outpouring of support from city residents in recent months.

Donations managed by Jewish Family and Children Services helped Vivian move into an elegant assisted living facility in Lower Pacific Heights and provided for a car service so Marian could visit "as much as she wanted to," Development Director Barbara Farber said. "The community really responded.…It's been a beautiful thing."

At a benefit concert for the twins in August, the Go-Go's Jane Wiedlin and other musicians honored Marian. Cash flowed in to cover her meals at Uncle Vito's Pizza on Nob Hill, long one of the ladies' regular haunts.

On Friday, fans offered collective condolences as they swallowed some bitter medicine: The sightings that brought joy to many — of the twins in leopard-print cowboy hats parading up and down Powell Street and window shopping at Union Square — are forever a thing of the past.

In saying goodbye to Vivian, the city has ushered out an era of style.

"All of that has gone, and that's true of all cities," said Ann Moller Caen, the widow of Pulitzer Prize-winning San Francisco columnist Herb Caen, who wrote often about the twins. "They've lost the elegant few."

Mayor Ed Lee echoed residents' grief in online postings throughout the day, saying that "San Francisco is heartbroken" over Vivian's passing and was "fortunate to have called her a true friend."

The twins, who were born in Kalamazoo, Mich., and held degrees in business administration, moved to San Francisco in 1973, prompted by Vivian's chronic bronchial condition. Once on the West Coast, Vivian became a legal secretary and Marian worked at a bank.

But fashion was their passion, and they cut a striking double image.

There were the fitted white suit jackets with pleated skirts, veiled hats and white fur coats; the red wool Ellen Tracy suits with black felt hats and black gloves.

"When you first came to the city and saw them, you might think it was a little joke. But it really wasn't," Caen said Friday. "They were very warm and very pleasant to everyone, and they just loved Herb. And he loved them."

Evelyn Adler recalled that her father, who sold shoes at the Emporium on San Francisco's Market Street in the 1970s, had regularly waited on "the girls," as he called them.

"They were always at the very height of sometimes ridiculous fashion," said Adler, 82. Her father, she said, had talked of how years of wearing pointy shoes left the twins with overlapping toes. (They later embraced lower heels that were "much more suited to their feet," Adler said.)

As a volunteer for Jewish Family Services, Adler recently shopped for a new wardrobe for Vivian — and was taken aback by the sight of the twins in separate outfits. About a quarter-century ago, the twins admitted to an interviewer that after a six-month attempt to dress differently in their 20s, they had abandoned the project forever. Even their lingerie matched.

They had their regular haunts, which Marian now frequents solo.

David Dubiner, owner of Uncle Vito's Pizza, said the sisters began coming in nearly two decades ago. They always sat at the table by the window, chatting with tourists for so long that their food had to be reheated.

Vivian often did more talking, Dubiner said, but Marian now holds court for two.

On Thursday evening, Marian arrived alone at the Sir Francis Drake Hotel on Union Square to "have a glass of champagne and toast her sister goodbye," said Tom Sweeney, chief doorman at the hotel who for the last 37 years watched the twins descend the four blocks from their Nob Hill apartment.

"They're quite the personalities of San Francisco," Sweeney said. "We'll definitely miss Vivian."

lee.romney@latimes.com

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